Ronnie, on the other hand, is violent and unpredictable (partially as a result of his often unmedicated paranoid schizophrenia). Reggie is cold and calculating - the brother most capable of calmly assessing a situation and working the most advantageous angle. Despite their similar appearances (they were identical twins), Reggie and Ronnie are very different people. It’s hard to put any of the blame for the film’s missteps on star Tom Hardy, who acts with conviction. The result: a sterile chronicle that moves along in a stupor only to occasionally be startled awake by an interlude of bloody violence before returning to its previous state. Moments of genuine insights are so infrequent that they’re apt to be lost in the sea of clichés that comprise too much of the screenplay. Helgeland fails to tap into the essential elements that feed the viewer’s fascination with criminals like the Krays.
A filmmaker doesn’t have to glamorize the gangster lifestyle like Francis Ford Coppola in The Godfather Scorsese’s brutal forays into the genre have been no less compelling. When a key character dies, it’s hard to muster much in the way of sympathy for the person or those left behind. We don’t feel anything for the Krays, their victims, or the lawmen pursuing them. Instead, Legend leaves audiences in a state of profound apathy. A film along those lines might not be entertaining but it would provoke a reaction. It’s not a case of the viewer being trapped in a cinematic sewer with a bunch of diseased rats. So, fundamentally, what’s wrong with Legend? As good as the acting is and as effectively crafted as some of the scenes are, Helgeland deposits us in an emotional void. Other characters trapped in the Krays’ orbit include a cop, Nipper Read (Christopher Eccleston), who’s determined to bring the brothers to justice, and an accountant/businessman, Leslie Payne (David Thewlis), who is trusted by Reggie but not Ronnie. The film is narrated by Reggie’s wife, Frances (Emily Browning), who lets us know from the beginning that, regardless of how storybook-tinged the beginning of their relationship might be, it doesn’t end well. The brothers became untouchable because they had dirt on both of the government’s leading political parties. to carve out a niche, they went to the Krays. When the American mafia, in the person of Philadelphia don Angelo Bruno (Chazz Palminteri), came to the U.K. During the late 1950s and through most of the 1960s, they were the underground power in London - not just a force to be reckoned with but the force to be reckoned with. The film is inspired by the crime reign of twin brothers Reggie and Ronnie Kray (both played by Tom Hardy).
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Legend seems like a movie Scorsese might have made if he wasn’t paying attention - the elements are present but they are clumsily assembled and the outcome underwhelms. Granted, it’s a tall order to be compared to a craftsman of insurmountable repute but, when a filmmaker courts the comparison as aggressively as Helgeland (in everything from the rhythm of dialogue to shot selection and narrative thrust), it’s impossible to ignore.
She portrayed Frances Shea, the first wife of Reggie Kray.For writer/director Brian Helgeland ( Payback), Legend represents a visit to Scorsese territory sadly, the result falls far short of the visceral experiences we typically are accorded by the legendary Oscar winner.
In 2015, Browning starred in the biopic crime thriller movie Legend, alongside Tom Hardy, who portrayed twin brothers Reggie and Ronnie Kray. She is currently starring as Laura Moon on American Gods. Her other films include The Host (2013), Pompeii (2014) and Legend (2015). She was named the Breakthrough Performer of The Year by Hamptons International Film Festival in 2011 for her role in Sleeping Beauty.
Legend tom hardy emily browning series#
In 2005, Browning won the Australian Film InstituteInternational Award for Best Actress for her portrayal of Violet Baudelaire in the film Lemony Snicket's A Series of Unfortunate Events (2004).īrowning is also known for her roles in the horror film The Uninvited (2009), the action film Sucker Punch (2011), and the independent drama Sleeping Beauty (2011). Her breakthrough role was in the 2002 horror film Ghost Ship, which introduced her to a wider audience. Emily Jane Browning is an Australian actress and singer.īrowning made her film debut in the Australian television film The Echo of Thunder subsequently, she played roles in the Australian television shows High Flyers, Blue Heelers and Something in the Air.
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